Modal Harmony and Characteristics

Mode Common Chord Progressions Characteristic Intervals Melodic Characteristics
Ionian (Major) I - IV - V
I - vi - IV - V
ii - V - I
Stable, strong resolution
Major 3rd
Perfect 5th
Major 7th
Tonic (1) and fifth (5) are strong resolution points
Major third creates stability
Seventh leads strongly to tonic
Dorian i - IV
i - VIIb
i - IV - VIIb
Minor with bright sixth
3b (Minor 3rd)
6 (Major 6th)
7b (Minor 7th)
Natural 6 distinguishes from natural minor
Often emphasizes the major sixth
Common in folk and jazz
Phrygian i - IIb
i - v - IIb
i - vii - IIb
Spanish/Flamenco character
2b (Minor 2nd)
3b (Minor 3rd)
7b (Minor 7th)
Flat second creates distinct Spanish flavor
Often uses half-step motion
Dark and intense character
Lydian I - II
I - vii°
I - II - vii°
Bright and floating
3 (Major 3rd)
4# (Augmented 4th)
7 (Major 7th)
4# creates floating quality
Bright and ethereal sound
Common in film scores
Mixolydian I - VIIb - IV
I - VIIb
I - v - VIIb
Rock/Blues dominant feel
3 (Major 3rd)
5 (Perfect 5th)
7b (Minor 7th)
Dominant seventh feel without resolution
Common in rock and Celtic music
Blues-rock character
Aeolian (Natural Minor) i - VIb - VIIb
i - iv - v
i - IIIb - VIb - VIIb
Natural minor progressions
3b (Minor 3rd)
6b (Minor 6th)
7b (Minor 7th)
Natural minor scale
Most common minor mode
Melancholic character
Locrian i° - IIb
i° - Vb
i° - vii - IIb
Unstable, diminished
2b (Minor 2nd)
5b (Diminished 5th)
7b (Minor 7th)
Most unstable of all modes
Diminished fifth creates tension
Rare in traditional music

Note: Roman numerals indicate chord functions within each mode. Uppercase (I, II, etc.) represents major chords, lowercase (i, ii, etc.) represents minor chords, and ° represents diminished chords. Accidentals (b for flat, # for sharp) modify the chord quality.