| Mode | Common Chord Progressions | Characteristic Intervals | Melodic Characteristics |
|---|---|---|---|
| Ionian (Major) |
I - IV - V I - vi - IV - V ii - V - I Stable, strong resolution
|
Major 3rd Perfect 5th Major 7th |
Tonic (1) and fifth (5) are strong resolution points Major third creates stability Seventh leads strongly to tonic |
| Dorian |
i - IV i - VIIb i - IV - VIIb Minor with bright sixth
|
3b (Minor 3rd) 6 (Major 6th) 7b (Minor 7th) |
Natural 6 distinguishes from natural minor Often emphasizes the major sixth Common in folk and jazz |
| Phrygian |
i - IIb i - v - IIb i - vii - IIb Spanish/Flamenco character
|
2b (Minor 2nd) 3b (Minor 3rd) 7b (Minor 7th) |
Flat second creates distinct Spanish flavor Often uses half-step motion Dark and intense character |
| Lydian |
I - II I - vii° I - II - vii° Bright and floating
|
3 (Major 3rd) 4# (Augmented 4th) 7 (Major 7th) |
4# creates floating quality Bright and ethereal sound Common in film scores |
| Mixolydian |
I - VIIb - IV I - VIIb I - v - VIIb Rock/Blues dominant feel
|
3 (Major 3rd) 5 (Perfect 5th) 7b (Minor 7th) |
Dominant seventh feel without resolution Common in rock and Celtic music Blues-rock character |
| Aeolian (Natural Minor) |
i - VIb - VIIb i - iv - v i - IIIb - VIb - VIIb Natural minor progressions
|
3b (Minor 3rd) 6b (Minor 6th) 7b (Minor 7th) |
Natural minor scale Most common minor mode Melancholic character |
| Locrian |
i° - IIb i° - Vb i° - vii - IIb Unstable, diminished
|
2b (Minor 2nd) 5b (Diminished 5th) 7b (Minor 7th) |
Most unstable of all modes Diminished fifth creates tension Rare in traditional music |
Note: Roman numerals indicate chord functions within each mode. Uppercase (I, II, etc.) represents major chords, lowercase (i, ii, etc.) represents minor chords, and ° represents diminished chords. Accidentals (b for flat, # for sharp) modify the chord quality.